La révolution Borduas : espaces et liberté

Paul-Émile Borduas, Sour music, 1955, oil on canvas. Private collection. Photo: Richard Max-Tremblay

November 29, 2018 – March 24, 2019

Opening: Thursday, November 29, 2018 at 5 p.m.

An exhibition dedicated to a key painter in our history and his ideas on how to change society.

70 years after the publication of the Refus Global, and 58 years after painter Paul-Émile Borduas death, the many tributes to his work bear witness to the fact that his art, ideas and aspirations are still relevant. This exhibition showcases pictorial and photographic works, some of them seldom exhibited before.

This exhibition has been produced and is being circulated by the Musée d’art contemporain de Baie-Saint-Paul. This project has been made possible through the financial contribution of the Department of Canadian Heritage.

 

Clémence. De la Factrie au musée.

CLÉMENCE. De la factrie au musée

May 12 to November 18, 2018

For its summer season, the Musée des beaux-arts de Sherbrooke is showcasing Clémence. De la factrie au musée, a tribute to the Sherbrooke artist Clémence DesRochers. This theme-based exhibition will celebrate Clémence’s outstanding contribution to Quebec’s culture. Monologist, poet, comedian, actor, writer-performer and visual artist; visitors will discover the different facets of this multidisciplinary and well-loved artist.

CONTEMPORARY NATIVE ART BIENNIAL #4

Kali Spitzer, Tania Larsson, Gwich’in and Swedish, Yellowknife, Northwest Territories, Canada, 2015, Impression sur papier archive / archival pigment print, 76 x 61 cm / 30 x 24 in, 1 de 10 / 1 of 10
Remerciements / Courtesy: Never Apart

CONTEMPORARY NATIVE ART BIENNIAL #4 
Níchiwamiskwém | nimidet | ma soeur | my sister
Une présentation Hydro-Québec

May 5 to September 9, 2018

The Musée des beaux-arts de Sherbrooke is proud to become the 5th pavilion to present the Contemporary Native Art Biennial and to take part in this recurring event highlighting a plurality of artistic practices that stem from Indigenous cultures across North America. For its 4th edition, the BACA (Biennale d’art contemporain autochtone) puts the spotlight on indigenous women artists. The curators have brought together artistic production of native women from communities around the continent under the title níchiwamiskwém | nimidet | ma soeur | my sister.