Dominique Valade. Tenir en main le fil…

Exposition Dominique Valade. Tenir en main le fil...

Exposition Dominique Valade. Tenir en main le fil...

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Exposition Dominique Valade Tenir en main le fil...
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Photography : François Lafrance

September 15, 2018 – January 27, 2019

Dominique Valade, a multidisciplinary artist from Montreal, presents her latest work, featuring sculptures, engravings and textile creations.

Dominique Valade’s current work is the result of experiments conducted at the Papeterie Saint-Armand and at the Centre de design et d’impression textile de Montréal. She dyes, embroiders and engraves on paper or textile supports. The resulting art work is imbued with colors, textures and subjects addressed by Van Gogh. Among them, a series of about thirty “letters”, randomly selected among the pages of an old dictionary, immense textile creations as well as various remnants of everyday life.

Clémence. De la Factrie au musée.

CLÉMENCE. De la factrie au musée

May 12 to November 18, 2018

For its summer season, the Musée des beaux-arts de Sherbrooke is showcasing Clémence. De la factrie au musée, a tribute to the Sherbrooke artist Clémence DesRochers. This theme-based exhibition will celebrate Clémence’s outstanding contribution to Quebec’s culture. Monologist, poet, comedian, actor, writer-performer and visual artist; visitors will discover the different facets of this multidisciplinary and well-loved artist.

CONTEMPORARY NATIVE ART BIENNIAL #4

Kali Spitzer, Tania Larsson, Gwich’in and Swedish, Yellowknife, Northwest Territories, Canada, 2015, Impression sur papier archive / archival pigment print, 76 x 61 cm / 30 x 24 in, 1 de 10 / 1 of 10
Remerciements / Courtesy: Never Apart

CONTEMPORARY NATIVE ART BIENNIAL #4 
Níchiwamiskwém | nimidet | ma soeur | my sister
Une présentation Hydro-Québec

May 5 to September 9, 2018

The Musée des beaux-arts de Sherbrooke is proud to become the 5th pavilion to present the Contemporary Native Art Biennial and to take part in this recurring event highlighting a plurality of artistic practices that stem from Indigenous cultures across North America. For its 4th edition, the BACA (Biennale d’art contemporain autochtone) puts the spotlight on indigenous women artists. The curators have brought together artistic production of native women from communities around the continent under the title níchiwamiskwém | nimidet | ma soeur | my sister.