Paul-Émile Borduas, Sour music, 1955, oil on canvas. Private collection. Photo: Richard Max-Tremblay
November 29, 2018 – March 24, 2019
Opening: Thursday, November 29, 2018 at 5 p.m.
An exhibition dedicated to a key painter in our history and his ideas on how to change society.
70 years after the publication of the Refus Global, and 58 years after painter Paul-Émile Borduas death, the many tributes to his work bear witness to the fact that his art, ideas and aspirations are still relevant. This exhibition showcases pictorial and photographic works, some of them seldom exhibited before.
This exhibition has been produced and is being circulated by the Musée d’art contemporain de Baie-Saint-Paul. This project has been made possible through the financial contribution of the Department of Canadian Heritage.
Draw inspiration from a piece specially selected from our collection for the occasion of these creative wine and cheese evenings.
One evening a month from 6 p.m. to 8:30 p.m., take inspiration from a work from our collection specially taken from our reserves to create your own masterpieces.
Glass of wine in hand and brush in the other, it will be the opportunity to let your artistic fibre speak for itself!
All the material necessary for the realization of your work is provided: brushes, apron, canvas, acrylic paint, easel.
2018: Tuesday, September 25 (FULL), Thursday, October 18, Thursday, November 15, Thursday December 13
2019: Thursday, January 17, Thursday, February 21, Thursday, March 14, Thursday, April 18
Rates $40 – $30 for our members. The fee includes the art supplies, two glasses of wine and cheese. By reservation only 819 821-2115. Payment upon reservation.
Exposition Dominique Valade. Tenir en main le fil...
Photography : François Lafrance
September 15, 2018 – January 27, 2019
Dominique Valade, a multidisciplinary artist from Montreal, presents her latest work, featuring sculptures, engravings and textile creations.
Dominique Valade’s current work is the result of experiments conducted at the Papeterie Saint-Armand and at the Centre de design et d’impression textile de Montréal. She dyes, embroiders and engraves on paper or textile supports. The resulting art work is imbued with colors, textures and subjects addressed by Van Gogh. Among them, a series of about thirty “letters”, randomly selected among the pages of an old dictionary, immense textile creations as well as various remnants of everyday life.
An introduction to live-model drawing with realist painter Gama, Guy-Anne Massicotte.
✏ Sunday, October 28, 2:00 pm to 4:00 pm FULL
✏ Sunday, November 25, 2:00 pm to 4:00 pm FULL
✏ Sunday, December 16, 2:00 pm to 4:00 FULL
New dates 2019, already available
✏ Sunday, January 13, 2:00 pm to 4:00 pm
✏ Sunday, February 17, 2:00 pm to 4:00 pm
✏ Sunday, March 17, 2:00 pm to 4:00 pm
Rates $40 per day – $25 for our members. The fee includes all material. On reservation. Payment when making reservations : 819 821-2115
CLÉMENCE. De la factrie au musée
May 12 to November 18, 2018
For its summer season, the Musée des beaux-arts de Sherbrooke is showcasing Clémence. De la factrie au musée, a tribute to the Sherbrooke artist Clémence DesRochers. This theme-based exhibition will celebrate Clémence’s outstanding contribution to Quebec’s culture. Monologist, poet, comedian, actor, writer-performer and visual artist; visitors will discover the different facets of this multidisciplinary and well-loved artist.
Kali Spitzer, Tania Larsson, Gwich’in and Swedish, Yellowknife, Northwest Territories, Canada, 2015, Impression sur papier archive / archival pigment print, 76 x 61 cm / 30 x 24 in, 1 de 10 / 1 of 10
Remerciements / Courtesy: Never Apart
CONTEMPORARY NATIVE ART BIENNIAL #4
Níchiwamiskwém | nimidet | ma soeur | my sister
Une présentation Hydro-Québec
May 5 to September 9, 2018
The Musée des beaux-arts de Sherbrooke is proud to become the 5th pavilion to present the Contemporary Native Art Biennial and to take part in this recurring event highlighting a plurality of artistic practices that stem from Indigenous cultures across North America. For its 4th edition, the BACA (Biennale d’art contemporain autochtone) puts the spotlight on indigenous women artists. The curators have brought together artistic production of native women from communities around the continent under the title níchiwamiskwém | nimidet | ma soeur | my sister.